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Podcasts…
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Ron Butlin
"Poetry tends to be argued through image, prose tends to be argued through narrative ..."
Ryan sits down with Edinburgh's Makar (poet laureate) Ron Butlin during a recent visit to a slightly noisier than usual Library (apologies for the melody of the office stapler) and discusses where his poems come from, the differences between writing poetry and prose, and what it's like to write for musicians - of the popular and operatic variety. We also get the chance to hear a few poems from Ron and listen to an excerpt from the short opera 'The Voice Inside' by composer Lyell Cresswell for which Ron wrote the libretto.
Listen now…
Ron Butlin
Before taking up writing full-time he was, at various times, a lyricist with a pop band, a barnacle scraper on Thames barges, a footman attending embassies and country houses and a male model.
He has published over a dozen books, several of which have won Scottish Arts Council Book Awards, and his work has been translated into over ten languages.
His volumes of poetry include the award-winning Ragtime in Unfamiliar Bars (Secker & Warburg, 1985) and Histories of Desire (Bloodaxe, 1995). His New and Selected Poems was published by Barzan in 2005.
Lyell Cresswell
Lyell Cresswell was born in New Zealand and studied at the Universities of Wellington, Toronto, Aberdeen and Utrecht. Following a spell as a music administrator in Wales he returned to Scotland to hold composition fellowships at the universities of Edinburgh and Glasgow. He is now a freelance composer based in Edinburgh.
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We recommend...
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Without a Backward Glance: New and Selected Poems
by Ron Butlin
Barzan, 2005
Ron Butlin's selected poems, all in one lovely place.
SPL shelfmark 3.But
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The Voice Inside
by Lyell Cresswell
In The Voice Inside, Cresswell explores the ever-changing relationship between the
soprano and violin soloists and the orchestra, while Cassandra's Songs, which also set words by Scottish poet Ron Butlin, is concerned with exile, identity and belonging.
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Image: Foggy day © Chris Scott
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